Contact

General management

Karsten Witt Musik Management

Xenia Groh Hu
Tel +49 30 214 594 224
xh@karstenwitt.com

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Public Relations/Media Requests

Schimmer PR Berlin

(Ms.) Friederike Gottwald
Fritschestraße 27/28, Aufgang A, 5. OG
10585 Berlin

Tel: +49-(0)30-34503939
email: friederike.gottwald@schimmer-pr.de

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Regional management

Danthois Artists Management

France

Patricia Danthois
Tel +33 9 61 42 00 57 and +33 6 63 72 64 95
contact@danart-management.com

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Pro Arte Musicae

Japan

Genroh Hara
+81-3-3943-6677
genroh@proarte.co.jp and pam@proarte.co.jp

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Halac Artists

Latin America

Desiree Halac
Tel +34 633 30 84 84
desiree.halac@halacartists.com

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Amusart® srl

Italy

Silvia Podetti
+39 3204056140
silvia@amusart.com

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Record company

Berlin Classics

Markus Heinicke and Maximilian Sieghardt
Tel +49 30 208 98 01 75
markus.heinicke@edel.com
maximilian.sieghardt@edel.com

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Hasko Witte

Press Contact
Tel +49 40 650 40 860
hasko.witte@bkw-net.de

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Contact Claire Huangci directly

 

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Do we need another recording of Chopin’s Nocturnes? Not really! But when one hears this brand new double-CD from Claire Huangci, which comes out on 5th May, the answer is yes!

Süddeutsche Zeitung, CD-Tipp, 6/4/2017

This is not a dreamy quasi-improvisation or playful salon music, and neither does the interpretation go after gut feeling. On the contrary, this is an extremely clear and pure recording with gravitas, significance and considerable appeal which certainly must be taken seriously.

Pizzicato, Remy Franck, 22/5/2017, on the Chopin-CD

In Claire Huangci’s playing, the flow of the music does not run away with itself or become arbitrary, but rather remains intensely alert: her attack is delicate yet distinct. (…) Irresistible yet always considerate and alert, Claire Huangci lets herself become captured by the magic of [Chopin’s] music.

PianoNews, Hans-Dieter Grünefeld, September 2017

A whirlwind at the keyboard with an immense enthusiasm for playing, the pianist has also developed a musicality and a colour-rich tone, which, along with her apparent technical ease, is merely a springboard for a wholly individual musical conception.

Rondo, Christoph Forsthoff, February 2018

Her Mozart Concerto was captivating, a flawless performance with lively, sparkling runs, and an abundance of musical ideas.

SRF, Moritz Weber, 13/6/2018

She [Claire Huangci] mastered Beethoven’s Piano Concerto No. 4 with a performance that was full of character and measured forcefulness, and won the competition.

Neue Züricher Zeitung, Christian Berzins, 17/6/2018