Concert schedule

8-10 January

2019

SWR CD recording

Kaiserslautern

Ravel, Chausson

Solenne Paidassi, Tristan Cornut, Adrien Boisseau

12 January

2019

Southeastern Pennsylvania Symphony Orchestra

Allan Scott

Beethoven piano concerto no. 1, op. 15

16 January

2019

Salon de Virtuosi NYC

Rachmaninov preludes

18 January

2019

Ottawa Master Pianists Series

Recital

Chopin, Rachmaninov

26 January

2019

Helena Symphony Orchestra

Allan Scott

Saint Saens piano concerto no. 2

2 February

2019

Symphony of Southeast Texas

Chelsea Tipton

Grieg piano concerto

8 February

2019

Zagreb Philharmonic orchestra

David Danzmayr

Beethoven Concerto op. 61a

10 February

2019

Erbach

Elfenbeinmuseum

Recital

Scarlatti, Chopin, Rachmaninov

17 February

2019

Frankfurter Buergerstiftung

Holzhausenschloss

Recital

Scarlatti, Chopin, Prokofiev, Mussorgsky

20 February

2019

Kempen Klassik

Recital

Scarlatti, Chopin, Rachmaninov

2 March

2019

Brandenburgisches Staatsorchester Frankfurt Oder

Beethoven Choral Fantasy

7 March

2019

Tochigi

Japan

Recital

Scarlatti, Chopin, Rachmaninov

8 March

2019

Suntory Hall, Tokyo

Japan

Recital

Scarlatti, Chopin, Rachmaninov

9 March

2019

Tako

Japan

Recital

Scarlatti, Chopin, Rachmaninov

15 March

2019

Hyogo Performing Arts Center Orchestra

Claus Peter Flor

Schumann piano concerto

16 March

2019

Hyogo Performing Arts Center Orchestra

Claus Peter Flor

Schumann piano concerto

17 March

2019

Hyogo Performing Arts Center Orchestra

Claus Peter Flor

Schumann piano concerto

Do we need another recording of Chopin’s Nocturnes? Not really! But when one hears this brand new double-CD from Claire Huangci, which comes out on 5th May, the answer is yes!

Süddeutsche Zeitung, CD-Tipp, 6/4/2017

This is not a dreamy quasi-improvisation or playful salon music, and neither does the interpretation go after gut feeling. On the contrary, this is an extremely clear and pure recording with gravitas, significance and considerable appeal which certainly must be taken seriously.

Pizzicato, Remy Franck, 22/5/2017, on the Chopin-CD

In Claire Huangci’s playing, the flow of the music does not run away with itself or become arbitrary, but rather remains intensely alert: her attack is delicate yet distinct. (…) Irresistible yet always considerate and alert, Claire Huangci lets herself become captured by the magic of [Chopin’s] music.

PianoNews, Hans-Dieter Grünefeld, September 2017

A whirlwind at the keyboard with an immense enthusiasm for playing, the pianist has also developed a musicality and a colour-rich tone, which, along with her apparent technical ease, is merely a springboard for a wholly individual musical conception.

Rondo, Christoph Forsthoff, February 2018

Her Mozart Concerto was captivating, a flawless performance with lively, sparkling runs, and an abundance of musical ideas.

SRF, Moritz Weber, 13/6/2018

She [Claire Huangci] mastered Beethoven’s Piano Concerto No. 4 with a performance that was full of character and measured forcefulness, and won the competition.

Neue Züricher Zeitung, Christian Berzins, 17/6/2018